Rites of Passage: The Films of Shinji Somai

By Bingham Bryant

MAY 2023 | Film

Sōmai Shinji’s oeuvre consists of thorough explorations of the long take and daring soundscapes. Japan Society’s “Rites of Passage: The Films of Shinji Somai” runs April 28–May 13.

Singing in Unison:
Artists Need to Create On the Same Scale That Society Has the Capacity to Destroy

JUNE 2022 | Art

Rail Curatorial Projects is proud to present Singing in Unison: Artists Need to Create on the Same Scale that Society Has the Capacity to Destroy, a multi-venue series of exhibitions that aims to foster social unity in light of the recent political climate and the COVID-19 pandemic. The works shown in these exhibitions exemplify the breadth of the creative world, with artists who are taught and self-taught, young and old, and hailing from every corner of the globe. Singing in Unison is a timely endeavor that celebrates the power of art as a public site to stage programming, including poetry readings, music and dance performances, panel discussions on the subject of democracy, and cooking performances by Rirkrit Tiravanija. All of this is done with the aim of enhancing the art of joining in our various communities and to bring people together.

Estefania Velez Rodriguez: Time’s Passage is probably an Illusion

By Robert R. Shane

SEPT 2021 | ArtSeen

We feel disorientation and ecstasy as we enter Estefania Velez Rodriguez’s large-scale landscapes in Time’s Passage is probably an Illusion. Illuminated by fluorescent oil and spray paint, the pattern-rich paintings strip away the surface of the natural world to reveal the inner life of nature and of the artist.

Nuestra Casa: Rediscovering the Treasures of The Hispanic Society Museum & Library

By David Carrier

MARCH 2022 | ArtSeen

Because the Hispanic Society is in Washington Heights, Manhattan, it has until recently had a marginal position in the New York art world. Although it’s only about 75 blocks uptown from the Metropolitan Museum of Art, that can seem a long journey to the busy critic. I, at least, confess that in all my years of reviewing, I’d never visited this institution. And so, right now, while the museum is closed for renovations, I came because a selection of the best works is on display. How amazing that it took me all of these years to get uptown to see the best portrait in a New York City museum, Francisco de Goya’s The Duchess of Alba (1797).