ArtSeen
Principles of W.A.G.E. Certification
Equity in the visual and performing arts begins with the recognition that the contribution made by cultural producers is integral to the functioning of an arts institution, and financial compensation is part of acknowledging this value. Payment must be conceived and established in direct relation to what an institution chooses to pay its employees and subcontractors. W.A.G.E. Certification determines payment standards by looking at each nonprofit institution as its own entity—this means understanding its particularities and contingencies by examining the conditions under which it operates, and then defining what equity means under those conditions. For example, what is an institution's relationship to real estate: does it rent, own and/or function as a real estate market speculator/developer? What is its age? Does it have an endowment? What are its long and short-term investment and funding strategies? What is its mission? What is its annual total operating budget? Approximately how many exhibitions does it produce, and how many cultural producers tend to participate, annually? How does the institution itself define “equity”? Once W.A.G.E. has a comprehensive picture of how an organization identifies itself and those it chooses to work with, as well as how it derives its income and chooses to spend it, we can begin to consider what fairness, ethics and equity are within that context. What is essentially a microeconomy requires looking at all of the workers within its organizational structure, and understanding the economic functionality of it as a sociocultural and economic entity.
Contributor
W.A.G.E.Working Artists and the Greater Economy (W.A.G.E.) is a New York-based activist group that focuses on regulating the payment of artist fees by nonprofit art institutions, and establishing a sustainable model for the best practices between cultural producers and the institutions which contract their labor.
RECOMMENDED ARTICLES

Candor Arts: The Chicago-Based Press Reenvisioning Equity in Arts Publishing
By Leah GallantAPRIL 2022 | Art Books
The organization aims to restructure art publishing to fairly compensate all contributors, rather than one in which artists pay exorbitant costs to publish their work. These publishing projects function like an archive of the Chicago arts during the six years the press was active. Ranging from poetry chapbooks to photo portfolios, the more than editions produced also include the monographs accompanying major museum exhibitions.

Pat Steir: Paintings, Part II
By David RhodesSEPT 2022 | ArtSeen
After arriving at the gallery, located on the Via Francesco Crispi, a short walk downhill from Berninis Palazzo Barberini, I needed a few seconds for my eyes to adjust after the August sunlight outside. Then, the full subtlety and clear radiance of these cool, austere paintings had full effect. This second iteration of a two-part summer exhibition by Pat Steir comprised eight paintingssix predominantly red, yellow, and blue on black and two white on black.
Center for Book Arts
By Megan N. LibertyMARCH 2023 | ArTonic
Wandering around the flower district of Manhattan, you may be surprised to see a green flag hanging high above the flowers, signaling the location of the Center for Book Arts (CBA) on the third floor, where it has been located since 1999. As artist and designer Ben Denzer recently wrote to me, Despite coming and going to CBA all the time, I can never really get over how much of an unexpected gem it is. The fact that this book utopia is hiding on the third floor of a random building on 27th street has always made me look at all NYC buildings as if each might contain delightful secrets inside.
COVID, Arts Funding, and the Gig Economy
By Gordon Beeferman and David FriendNOV 2021 | Field Notes
One of the groups of workers most suddenly and severely affected by the economic fallout from the public health crisis were those working in the cultural sector, especially in the performing arts. As freelance musicians who have both worked in New York scenes for decades, this included us.