Poetry
Three



Contributor
Drew GardnerDrew Gardner’s latest book is Chomp Away. His CD of conducted music and poetry, Flarf Orchestra, is out from Edge. He lives in New York City and tweets @chompaway.
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Moondog Music in Coventry Cathedral
By Martin LongleyAPRIL 2022 | Music
Coventry Cathedral invited Down Is Up from London, an ensemble dedicated almost solely to the music of Moondog, that old inhabitant of New York City. The cathedral is famed for both being bombed into destruction (1940) and optimistic rebirth (1962), providing a suitably majestic setting for the works of composer, performer, and Viking-robed street musician Louis Hardin.
from The Ones Who Listen (Book One of the Cywanu Trilogy)
By Whit GriffinAPRIL 2023 | Poetry
Whit Griffin is a poet-medium and semi-professional hermit dwelling in Colorado. Author of such nonlinear metaphysical epics as We Who Saw Everything (Cultural Society) and Uncanny Resonance (Book Two, Lunar Chandelier Collective). With visual artist Timothy C. Ely he collaborated on the book Interior Voice / The Great Practice (Granary Books). Along with Eric Baus he is a resident wizard at Common Name Farm, through which he freely gives away visionary elixirs.
Henry Threadgill and Brent Hayes Edwards’s Easily Slip Into Another World: A Life in Music
By George GrellaJUNE 2023 | Music
It is absolutely a measure of his importance and achievement as a musician that a major publisher has brought out this book, Henry Threadgill’s autobiography (written with Brent Hayes Edwards in a fluid and engrossing style close to that of an oral history). Jazz in general is not a subject the big publishers are interested in, much less for someone like Threadgill who has been a leader in the avant-garde for decades.
Turning Lead To Air: Music for Cello From Primo Levi
By Alessandro CassinMARCH 2023 | Music
Can narrative prose occasion instrumental music? Though countless compositions have been based on literary texts, the process from words to music can be elusive. A case in point was the world premiere of Luciano Chessas Piombo (Italian for lead)from Primo Levis story of the same titlefor solo cello, performed by the exceptional Frances-Marie Uitti on January 21 at Magazzino Italian Art in Cold Spring, New York, and the following week, at the Italian Cultural Institute of San Francisco.