Critics Page
Stroke
(9/16-21/01. St. Francis Hospital Poughkeepsie, Rhinecliff.)
black ink
fantastic tangle of minatory tubes
subject to pressures of mind—
tensions and distensions of a world release
radical interrupts in chaos itself—
Strike One! and the eyeball seems
to bugle from its socket
and images slide away in double deficit—
When will the hammer fall a second time?
What range of world
elided or eliminated outright?
Mind falls into world,
world
launches missiles
back at
mind.
The Towers of Extancy
hoard all the being they can
as if being were substance
and measured thereby.
There is a little panel in the intellect
whose rotating dials and levers measure extancy
and another darker panel back of that
where being’s ranges and categories are decided.
The ghost without a hand can turn these dials—
the one by measure ruled and read
the other by a kind of absolute dead-reckoning
moved toward world or away
back to that which feeling searches for home—
an open radiance watching through the meshes of thought and world
but spaced by love
to reach the spaces in all other beings
and lead them home
blue ink
murky liquid looked at long
until the mud wall’s small gleams
intensify—triangles
of silver hot to the mind—
mind burned by sharp edges of the light—
draw it up from the little glimmer
until brightness hiding in the tiny gleams
burn the mind that draws it up and out
How can light
burn the mind?
But the mind
pulled it
out of itself
straining its own
possibility—that’s how!
until major lesions streak the thought-flesh
The mind’s own edge
alarming its right to be
light—
inside itself
the mind as light
is sharp as diamond
tough
and ever-growing harder and more bright—
the clenching intellect
the riveting intensity
the keenness
wounds the possibility thereof
until all
is edge
and keenness
and the teeming feral darkness of the wold
wherefrom that brightness first took gleam
falls back into itself and seems no more
When
mind was parked as parcels mixed
in murky liquid swirling indistinct from element
and muddy textured wall before all face—
Appearances were flat as they were.
No lightnings crashed the ordinary.
The originary groaned with debile process.
Sparks adhered to resins.
Aged vessels sat on aging ledges.
Then—
river of tetrahedrons
flowing from a point
gold and silver alternate
bordered by triangles of silver and gold
river of cuboids—
intensifications of themselves—
coherent blotches of light in turbulent blackness.
Writing is violence.
It draws from turbulent blackness
cuboids of light—
checkerboard swatches of intensity
edging out absence—
the field of loud I Am
that grows ever more distinct
trumpeting edgeless edge
and will not die.
red ink
Whence this incursion
on the visual field?
This incisive oval of geometrical light
that scares me with the mad
distress of “the origin”—as if
I could see thereby
the lesion itself—the tear
in the minatory tangle
of vessel and tissue—a singular
violence distressed from the physical
object of myself—the
thought of the tangle
in which it is posed
by thought itself—invisible
thought of selfhood—hyper-
spatial to the tear
and to its terrible
ovoid incursion into
its own thought flesh. From what
but the action itself
enunciated now as a vibrating inset
of an order unintelligible
to the object it disturbs—
as if the “I” itself were
incised in its intuition
or the hyper-space of its
occurrence were inscribed
in a vicious act
that is no act but a thing
from that other zone
where terrors spring
—thus “I” must die
to heal the lesion
of its own increasing
clarification
and the afterspace
that includes its violent incursion
return to the space before
the space before
all violence began.
thick ink
thick ink
words without purpose
the embarrassment of apparently
real contingencies / asleep
on the cool embankment—
now ascend to the highest rank—
the empty empty;
the clarity; the breath
at home
with the bodily
meshes and hulk
it happens to be breathing in—
the largesse at large in the tangle
of cause and consequence
or purpose and embarrassment—
contingencies the meshes
of the snare / the alphabet
of contingency scrambled
so the noise of speech—speech noise—
You can’t get out of the
coil of speech noise
and the mind that
eggs it on—turning
about its axis and attempting to SAY
the state it wants to have and be
wanting to think out with mind brush
and mortar and pestle of intellect
the possible rank—IMpossible and RANK!
The gargoyles leaping from the forehead!
The bouncers and the barkeeps
locked up with the brawlers in the brawl!
If I knew it
why not get on a bus
and go without delay
to the city beyond concomitance—
the luminous Room in The Hull of the Ship of Truth—
the moon man aloof in the saddle
shining
shining
bounteous grace rays
down hospital hallways
sneaking glances and casting beams
into desperate units
where groans and miseries turn on their axes
and the minds of medics are disjoined
from the bodies they’ve wired.
Why not get in the cab
of the big truck
in furious exodus
to comport oneself
home
on the bluenight highway?
no ink
no ink
strings
and nerves
and roadways
bundled in a tangle
snakes and phospherescent insects
phos the remembrance
of light
when things leapt up
from themselves
long ago
in the dawn of ta onta—
eon
esti—is—
the singular
rife
orb
released from the tangle
mind saddled on being
without digression or part
galloping dayward
just ink
a ball of tangled “yarn” or nerves or vessels
themselves the course and the message
the singular message of self-luminous Orb
tigle chenpo
totality coursing through each span
the orb returns to the tangle
knotted yarn’s
impossible story
anomalous
timed to burst
function to break down
the furious space between the crossing strands
that things are ripped out of their nature
when the message explodes in the channel
the mindful light of the space through which it courses
breaks into the coursing
When earliest intellect
awakens in the telling
the oldest gods
pass before the Face
(care nothing
but for the moment of this passing
even in death
the “green cloths”
solicitous friends disarmed
launching the world
against its own form
Contributor
Charles SteinCharles Stein is a poet, artist, and classicist. He holds a Ph.D. in Literature from the University of Connecticut at Storrs. He taught for many years in the MFA Art Writing program at the School of Visual Arts, New York. His work can be explored at www.charlessteinpoet.com