Art In Conversation
WALTON FORD
with Jason Rosenfeld
Walton Ford’s new exhibition of customarily grand watercolors at Gagosian Beverly Hills is titled Calafia, after the warrior queen in Garci Rodríguez de Montalvo’s Spanish novel Las sergas de Esplandián (The Adventures of Esplandián).
Art In Conversation
GEORGE CONDO
with Joachim Pissarro
George Condo is a New York-based artist whose career launched in the East Village in the early 1980s. During this time, he also worked in Andy Warhol’s factory before moving to Los Angeles and holding his first solo exhibition in 1983.
Art In Conversation
JANET BIGGS
with Nancy Princenthal
Breathtakingly beautiful, like all of Janet Biggs’s work, A Step on the Sun (2012) is also—again characteristically—a haunting account of several kinds of mortal danger.
Art Close Encounters
FRED MOTEN
with Jarrett Earnest
Fred Moten is a poet and literary theorist, whose book In The Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003) explored the sonic and aural lineages of the “black radical tradition.” His new book of essays, Black and Blur (Duke, 2017) charts his sustained engagement with contemporary visual art.
Art In Conversation
SUSAN LARSEN
with Phong Bui
Susan paid a visit to the Rail HQ for lunch and an extensive conversation about her life and work, and how she worked with New York artist Leo Rabkin in his last years to create the Dorothea and Leo Rabkin Prize in visual arts journalism—the first of its kind—from The Rabkin Foundation.
Art In Conversation
DAVID ROW
with Barbara MacAdam
On the occasion of David Row’s recent show, Zen Road Signs, at Locks Gallery in Philadelphia, Rail contributor Barbara MacAdam met with the artist in his longtime SoHo loft filled with examples of his art from various periods.
From the Publisher & Artistic Director
Dear Friends and Readers,
By Phong Bui“You use a glass mirror to see your face; you use works of art to see your soul.”
Editor's Message Guest Critic
Bay Watch: A Snapshot of the Visual Arts in the Bay Area
By Constance LewallenI have observed the art scene over the many years I have lived in the Bay Area, most of the time as curator at the UC Berkeley Art Museum and Pacific Film Archive. Following is a very brief overview of its modern history.
Critics Page
-
Bay Watch: Public Art
– By Lynne Baer -
For A Reason
– By Kevin Killian -
A Generosity of Spirit: Bay Area Art Today
– By Janet Bishop -
Spaces Together: Alternative Sites for Bay Area Arts
– By Sophia Wang -
As I See It, Yes
– By Gay Outlaw -
Ceramics and Preservation in the Bay
– By Woody De Othello -
LA is Not the Capital of California
– By Renny Pritikin -
Way Bay
– By Lawrence Rinder -
Jim Melchert
– By Jim Melchert -
BILL BERKSON with Thomas Devaney
-
Digital Punk
– By Kota Ezawa -
What is Its Future?
– By Jordan Stein -
The Point
– By John Bankston -
Everywhere and Nowhere
– By Glen Helfand -
Slow Art
– By Ed Gilbert -
Carry the Bones
– By Dena Beard -
Why Grow? In praise of quiet influence
– By Anne Walsh -
Dear Connie,
– By Claudia La Rocco
ArtSeen
-
Art and China after 1989: Theater of the World
– By Banyi Huang -
The Risorgimento of Arte Povera
– By Steven Pestana -
Lines of Thought: Drawing from Michelangelo to now
– By Thyrza Nichols Goodeve -
Anger Management
– By Nicole Miller -
Restoring the Minoans: Elizabeth Price and Sir Arthur Evans
– By Ann McCoy -
CHRIS OFILI: Paradise Lost
– By Jan Avgikos -
WALTER SWENNEN: Bewtie
– By Pac Pobric -
SAM FALLS
– By David Rhodes -
Homage to Dimitris Condos
– By Vanessa Thill -
JOYCE KOZLOFF: Girlhood
– By Hovey Brock -
MEL KENDRICK: Woodblock Drawings
– By Jonathan Goodman -
DAVID BROOKS:
– By Patrick Jaojoco
Rock, Mosquito and Hummingbird: A Prehistory of Governor's Island -
ISRAEL LUND / AMY GRANAT
– By William Corwin -
JOAN BROWN
– By David Carrier -
Sunshower: Contemporary Art from Southeast Asia 1980s to Now
– By Vivian Li -
Artist of the Visible
– By Mary Di Lucia -
Defining “We” 2017: The Study Center for Group Work
– By Heather Schatz -
TRACEY ROSE:
– By Charles Schultz
The Good Ship Jesus vs. The Black Star Line Hitching a Ride with Die Alibama
[Working Title] -
PAT STEIR: Kairos
– By Benjamin Clifford -
ANDY CAHILL: Home
– By Louis Block -
Kyoung eun Kang:
– By Jonathan Goodman
1402 Seok-Dong -
Somewhere Some Pictures Sometimes
– By Jan Avgikos -
ALICE AYCOCK: The Turbulence Series
– By Siwin Lo -
BARB SMITH: Cup
– By Adam Beal -
ISHMAEL RANDALL WEEKS: Annotations, Striations and Souvenirs
– By William Corwin -
ANNETTE LEMIEUX: Mise en Scène
– By Emily Watlington -
MIRALDA MADEINUSA
– By Kathy Brew -
The Experimental Music of Maryanne Amacher and Philip Corner
– By Charles Eppley -
RON BARON: Beyond, Beyond
– By Alexandra Hammond -
BEN WILSON: From Social Realism to Abstraction
– By Tom McGlynn -
TRAVIS FITZGERALD: Until Adwaita
– By Vijay Masharani -
TSIBI GEVA: Jolt
– By Osman Can Yerebakan -
Resistance Across Time: Interference Archive
– By Andreas Petrossiants -
Deadeye Dick: Richard Bellamy and His Circle
– By David Rhodes -
Immigrancy
– By Arden Cone
Table of Contents
Editor's Message
-
Bay Watch: A Snapshot of the Visual Arts in the Bay Area
– By Constance Lewallen
Publisher's Message
-
Dear Friends and Readers,
– By Phong Bui
Art
-
JIMMY ROBERT with Will Fenstermaker
-
ZANELE MUHOLI: Visual Activism & Performa 17
– By William Whitney -
DAVID ROW with Barbara MacAdam
-
JANET BIGGS with Nancy Princenthal
-
WALTON FORD with Jason Rosenfeld
-
GEORGE CONDO with Joachim Pissarro
-
SUSAN LARSEN with Phong Bui
-
PETER SCOTT with Andreas Petrossiants
– By Andreas Petrossiants -
FRED MOTEN with Jarrett Earnest
-
EDITOR'S NOTE Thyrza Nichols Goodeve
-
Mary Ann Caws
-
Jason Rosenfeld
-
Maurice Berger
-
Judith Rodenbeck
-
Coco Fusco
-
Martha Rosler
-
Aruna D'Souza
ArtSeen
-
Art and China after 1989: Theater of the World
– By Banyi Huang -
The Risorgimento of Arte Povera
– By Steven Pestana -
Lines of Thought: Drawing from Michelangelo to now
– By Thyrza Nichols Goodeve -
Anger Management
– By Nicole Miller -
Restoring the Minoans: Elizabeth Price and Sir Arthur Evans
– By Ann McCoy -
CHRIS OFILI: Paradise Lost
– By Jan Avgikos -
WALTER SWENNEN: Bewtie
– By Pac Pobric -
SAM FALLS
– By David Rhodes -
Homage to Dimitris Condos
– By Vanessa Thill -
JOYCE KOZLOFF: Girlhood
– By Hovey Brock -
MEL KENDRICK: Woodblock Drawings
– By Jonathan Goodman -
DAVID BROOKS: Rock, Mosquito and Hummingbird: A Prehistory of Governor's Island
– By Patrick Jaojoco -
ISRAEL LUND / AMY GRANAT
– By William Corwin -
JOAN BROWN
– By David Carrier -
Sunshower: Contemporary Art from Southeast Asia 1980s to Now
– By Vivian Li -
Artist of the Visible
– By Mary Di Lucia -
Defining “We” 2017: The Study Center for Group Work
– By Heather Schatz -
TRACEY ROSE: The Good Ship Jesus vs. The Black Star Line Hitching a Ride with Die Alibama [Working Title]
– By Charles Schultz -
PAT STEIR: Kairos
– By Benjamin Clifford -
ANDY CAHILL: Home
– By Louis Block -
Kyoung eun Kang: 1402 Seok-Dong
– By Jonathan Goodman -
Somewhere Some Pictures Sometimes
– By Jan Avgikos -
ALICE AYCOCK: The Turbulence Series
– By Siwin Lo -
BARB SMITH: Cup
– By Adam Beal -
ISHMAEL RANDALL WEEKS: Annotations, Striations and Souvenirs
– By William Corwin -
ANNETTE LEMIEUX: Mise en Scène
– By Emily Watlington -
MIRALDA MADEINUSA
– By Kathy Brew -
The Experimental Music of Maryanne Amacher and Philip Corner
– By Charles Eppley -
RON BARON: Beyond, Beyond
– By Alexandra Hammond -
BEN WILSON: From Social Realism to Abstraction
– By Tom McGlynn -
TRAVIS FITZGERALD: Until Adwaita
– By Vijay Masharani -
TSIBI GEVA: Jolt
– By Osman Can Yerebakan -
Resistance Across Time: Interference Archive
– By Andreas Petrossiants -
Deadeye Dick: Richard Bellamy and His Circle
– By David Rhodes -
Immigrancy
– By Arden Cone
Critics Page
-
Bay Watch: Public Art
– By Lynne Baer -
For A Reason
– By Kevin Killian -
A Generosity of Spirit: Bay Area Art Today
– By Janet Bishop -
Spaces Together: Alternative Sites for Bay Area Arts
– By Sophia Wang -
As I See It, Yes
– By Gay Outlaw -
Ceramics and Preservation in the Bay
– By Woody De Othello -
LA is Not the Capital of California
– By Renny Pritikin -
Way Bay
– By Lawrence Rinder -
Jim Melchert
– By Jim Melchert -
BILL BERKSON with Thomas Devaney
-
Digital Punk
– By Kota Ezawa -
What is Its Future?
– By Jordan Stein -
The Point
– By John Bankston -
Everywhere and Nowhere
– By Glen Helfand -
Slow Art
– By Ed Gilbert -
Carry the Bones
– By Dena Beard -
Why Grow? In praise of quiet influence
– By Anne Walsh -
Dear Connie,
– By Claudia La Rocco
Books
-
An Increased Clarity of Address: KEVIN KILLIAN with Tony Leuzzi
-
Osama Alomar's The Teeth of the Comb & Other Stories
– By Ben Tripp -
The Movement Toward Art
– By J.C. Hallman -
Chris Kraus’s After Kathy Acker
– By Yvonne C. Garrett -
The Debacle
– By Allen Guy Wilcox -
Laura Jane Grace and Dan Ozzi’s Tranny: Confessions of Punk Rock’s Most Infamous Anarchist Sellout
– By Yvonne C. Garrett -
Peter Markus’s Inside My Pencil: Teaching Poetry in Detroit Public Schools
– By Joseph Scapellato -
The Care for Precision
– By Weston Cutter -
Matthew Vollmer’s “Situated Self”
– By Robert Siegle -
Empire of Intimacy: Ishiguro’s Nobel
– By Ernesto Pujol
Music
-
Rome to New York: Orpheus and Eurydice
– By Alessandro Cassin -
Annea Lockwood, Aki Onda, and Akio Suzuki: Presented by Blank Forms
– By Andreas Petrossiants -
Seeing The Light
– By Kurt Gottschalk -
To Have Not And to Have: O17, Philadelphia, September 14 - 25
– By George Grella -
A Trip to the Alter with Priests
– By Richard Klin -
Outtakes
– By Steve Dalachinsky -
November Listings
–
Dance
-
Fall for Dance—Tweaking the Menu
– By Susan Yung -
A Moving Meditation on Context
– By Jen George -
APOLLONIA HOLZER with Elizabeth Regan
– By Elizabeth Regan
Film
-
EPHRAIM ASILI with Ekrem Serdar
-
SKY HOPINKA and belit sağ with Almudena Escobar López
-
VIFF 2017: On watching and being seen in Dragonfly Eyes, Claire’s Camera, and Happy End
– By Steffanie Ling -
Before the End of the World: Strugatsky Brothers on Film at Anthology Film Archives
– By Forrest Cardamenis
Theater
-
IVO VAN HOVE with Ivan Talijancic
-
Reclaiming Cultural Extractions: Safe Harbors Indigenous Collective’s Don't Feed the IndiansA Divine Comedy Pageant!
– By Adam R. Burnett -
The Light and the Dark of Susan Soon He Stanton
– By Matthew Paul Olmos -
Finding Bess: 17c and the Restoration Theater of Annie-B Parson
– By Amber Reed
Fiction
-
Wallenstein Extracts
– By Alfred Döblin, translated from the German by C D Godwin -
Died Young
– By Francis Levy -
inSerial: part thirteen Delusions of Being Observed
– By Lewis Warsh -
New Routes in Fiction: Tessa Hadley with Alec Niedenthal
-
Awkwardly Calling Your Representatives
– By Joshua Daniel
Poetry
-
five
– By David Mills -
five
– By Stacy Blint -
three
– By Vanessa Jimenez Gabb -
four
– By Julian Talamantez Brolaski -
(As, Within Three Parts, Each Thus Pronominal)
– By Judah Rubin -
seven
– By Don Yorty -
AXIS RESOURCE
– By Clayton Eshleman
Verbatim
Art Books
-
LYNN STERN with Alex Chowaniec
-
Stanley Whitney: Sketchbook
– By Megan N. Liberty -
The Hungry Years, by Jack Pierson Peter Hujar: Speed of Life, by Peter Hujar
– By Timothy Francis Barry
Field Notes
-
Climate Change: What is to be Done?
– By José A. Tapia -
Welcome to Brexitland
– By Jimmy Meyer -
Letter from Eastham Unit
– By Noah "Comrade Kado" Coffin -
Worth the Pilgrimage: Eugenio Granell
– By Charles Reeve, translated from the French by Janet Koenig