Art In Conversation
PIERRE BURAGLIO with Raphael Rubinstein
During the “events” of May 1968, when students and workers brought the French nation to a standstill and almost toppled the government of Charles de Gaulle, the streets were filled with punchy, quickly produced posters and flyers.
Art In Conversation
MIRA SCHOR with Will Fenstermaker
The works in Mira Schor’s California Paintings: 1971–1973 were made during the artist’s time as a graduate student, at California Institute of the Arts (CalArts), where she was enrolled in the inaugural year of the Feminist Art Program.
Art In Conversation
JUSTIN BRICE GUARIGLIA with Phong Bui
Every now and then I meet an artist who has found his or her calling rather late in life—be it reaching their maturity after years of searching and struggle, or awakening a moment of clear vision, heightened perception that changes their course of direction. Such is the case of Justin Brice Guariglia.
Art In Conversation
BRETT WALLACE with Andreas Petrossiants
Last November, when Amazon decided to split their second headquarters between New York and Washington D.C. artists and cultural workers had to contend with the complicity of the culture industry in displacement and gentrification, and also shoulder the hardships from the exacerbation of these already disastrous crises, characteristic to all large “development” projects, which only redistribute wealth upwards.
From the Publisher & Artistic Director
Dear Friends and Readers,
By Phong BuiWhen I was growing up in Hue, Vietnam, in the late 1960s and 1970s, two primordial forces of destruction colored my life. The first force was man. Just as it did the country, the war divided members of my family—after the Geneva Conference in May 1954, one-half went to the north, the other half remained in the south.
Editor's Message Guest Critic
Are You There? Are We?
By Kyle DacuyanThe people who have contributed to this section are people who make me feel an abundance and openness of speech. Who the you and we are is always in flux, sometimes combustion. What I do believe is that poetry finds more particularly and timelessly its power the more variable and multi-vocal and disobedient it becomes.
Critics Page
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“POETRY AS FORCES” AFTER Cecilia Vicuña
– By Andrea Abi-Karam -
Response
– By Joey De Jesus -
IX. What Is Plagiarism?
– By Roberto Montes -
Diversity or Blaxsploitation
– By Pamela Sneed -
Who Is the You
– By Eloisa Amezcua -
The Purloined Lyric
– By Kay Gabriel -
Looking through Both Ends of the Telescope
– By Ariel Francisco -
Addressable Thou
– By Chase Berggrun -
Four Sonnets on Audience
– By Francisco Márquez -
Entries
– By Aldrin Valdez -
writ | рыт
– By Gala Mukomolova -
On Beyond
– By Shelley Marlow -
They Don’t Want Us to Feel
– By Marwa Helal -
OBRIGADO (FOR/FROM/AND/WITH)
– By Sara Jane Stoner
ArtSeen
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Sarah Trigg: Territorial Expansion of the Innermost Continent
– By Hovey Brock -
Aria Dean: (meta)models or how i got my groove back
– By Alan Gilbert -
Saul Steinberg: Untitled
– By Barbara A. MacAdam -
Metaphysical Masterpieces 1916—1920: Morandi, Sironi and Carra
– By Hearne Pardee -
Paul Fägerskiöld: Flatlands
– By W Tao -
Kour Pour: Manzareh/
– By Hadley SuterKeshiki/ Landscape -
Julia Rommel: Candy Jail
– By Nina Wolpow -
Alec Soth: I Know How Furiously Your Heart is Beating
– By Colin Edgington -
Jia Aili: Combustion
– By Graham W. Bell -
Frida Orupabo & Arthur Jafa: Medicine for a Nightmare
– By Jessica Lynne -
Derrick Adams: New Icons
– By Jan Avgikos -
Christina Forrer
– By Ann C. Collins -
Mimi Gross: Art as Social Entanglement
– By Johanna Drucker -
Sanford Wurmfeld: Variations
– By Robert C. Morgan -
Joe Andoe: Jubilee City
– By Eleanor Heartney -
Refiguring Binaries
– By Charlene K. Lau -
Don McCullin
– By Bartolomeo Sala -
Hockney-Van Gogh: The Joy of Nature
– By Joyce Beckenstein -
Günther Förg: Works from 1986 – 2007
– By Phillip Griffith -
Frida Kahlo: Appearances Can Be Deceiving
– By William Whitney -
Strategic Vandalism: The Legacy of Asger Jorn's Modification Paintings
– By Tom McGlynn -
American Artist: I'm Blue (If I Was █████ I Would Die)
– By Vijay Masharani -
Dorothea Tanning
– By Daniel Pateman -
Katy Moran: I want to live in the afternoon of that day
– By Tom McGlynn -
Arakawa: Diagrams for the Imagination
– By Mary Ann Caws -
YARITJI YOUNG + TJALA ARTS: APY LANDS
– By Jonathan Goodman -
Merrill Wagner: Works from the ’80s
– By Robert C. Morgan -
Jeffrey Cheung
– By J C -
Linnea Kniaz: Running Bond
– By Melinda Lang -
Don Dudley: Early Work
– By Melinda Lang -
Jasper Johns: Recent Paintings & Works on Paper
– By Alfred Mac Adam
Table of Contents
Publisher's Message
-
Dear Friends and Readers,
– By Phong Bui
Editor's Message
-
Are You There? Are We?
– By Kyle Dacuyan
Art
-
PIERRE BURAGLIO with Raphael Rubinstein
-
MIRA SCHOR with Will Fenstermaker
-
JUSTIN BRICE GUARIGLIA with Phong Bui
-
BRETT WALLACE with Andreas Petrossiants
ArtSeen
-
Sarah Trigg: Territorial Expansion of the Innermost Continent
– By Hovey Brock -
Aria Dean: (meta)models or how i got my groove back
– By Alan Gilbert -
Saul Steinberg: Untitled
– By Barbara A. MacAdam -
Metaphysical Masterpieces 1916—1920: Morandi, Sironi and Carra
– By Hearne Pardee -
Paul Fägerskiöld: Flatlands
– By W Tao -
Kour Pour: Manzareh/Keshiki/Landscape
– By Hadley Suter -
Julia Rommel: Candy Jail
– By Nina Wolpow -
Alec Soth: I Know How Furiously Your Heart is Beating
– By Colin Edgington -
Jia Aili: Combustion
– By Graham W. Bell -
Frida Orupabo & Arthur Jafa: Medicine for a Nightmare
– By Jessica Lynne -
Derrick Adams: New Icons
– By Jan Avgikos -
Christina Forrer
– By Ann C. Collins -
Mimi Gross: Art as Social Entanglement
– By Johanna Drucker -
Sanford Wurmfeld: Variations
– By Robert C. Morgan -
Joe Andoe: Jubilee City
– By Eleanor Heartney -
Refiguring Binaries
– By Charlene K. Lau -
Don McCullin
– By Bartolomeo Sala -
Hockney-Van Gogh: The Joy of Nature
– By Joyce Beckenstein -
Günther Förg: Works from 1986 – 2007
– By Phillip Griffith -
Frida Kahlo: Appearances Can Be Deceiving
– By William Whitney -
Strategic Vandalism: The Legacy of Asger Jorn's Modification Paintings
– By Tom McGlynn -
American Artist: I'm Blue (If I Was █████ I Would Die)
– By Vijay Masharani -
Dorothea Tanning
– By Daniel Pateman -
Katy Moran: I want to live in the afternoon of that day
– By Tom McGlynn -
Arakawa: Diagrams for the Imagination
– By Mary Ann Caws -
YARITJI YOUNG + TJALA ARTS: APY LANDS
– By Jonathan Goodman -
Merrill Wagner: Works from the ’80s
– By Robert C. Morgan -
Jeffrey Cheung
– By J C -
Linnea Kniaz: Running Bond
– By Melinda Lang -
Don Dudley: Early Work
– By Melinda Lang -
Jasper Johns: Recent Paintings & Works on Paper
– By Alfred Mac Adam
1x1
-
Jennifer Packer: M. Heller
– By Amber Jamilla Musser
Critics Page
-
“POETRY AS FORCES” AFTER Cecilia Vicuña
– By Andrea Abi-Karam -
Response
– By Joey De Jesus -
IX. What Is Plagiarism?
– By Roberto Montes -
Diversity or Blaxsploitation
– By Pamela Sneed -
Who Is the You
– By Eloisa Amezcua -
The Purloined Lyric
– By Kay Gabriel -
Looking through Both Ends of the Telescope
– By Ariel Francisco -
Addressable Thou
– By Chase Berggrun -
Four Sonnets on Audience
– By Francisco Márquez -
Entries
– By Aldrin Valdez -
writ | рыт
– By Gala Mukomolova -
On Beyond
– By Shelley Marlow -
They Don’t Want Us to Feel
– By Marwa Helal -
OBRIGADO (FOR/FROM/AND/WITH)
– By Sara Jane Stoner
Books
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DAVID RIVARD with Tony Leuzzi
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CHRISTOPHER X. SHADE with Beverly Donofrio
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LYNNE TILLMAN with Elizabeth Block
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Ian Frisch's Magic is Dead
– By Joseph Peschel -
DUNCAN B. BARLOW with Tobias Carroll
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Asiya Wadud's Crosslight for Youngbird
– By Chris Campanioni -
GENNAROSE NETHERCOTT with Kathleen Rooney
-
Duanwad Pimwana and Mui Poopoksakul with Andrea Scrima
-
Shira Dentz's how do i net thee
– By William Lessard
Music
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Nothing’s Bad Luck
– By George Grella -
Pharoah Sanders: Spirit Ascending
– By Scott Gutterman -
Sons d'hiver, Maison Des Arts
– By Martin Longley -
Outtakes
– By Steve Dalachinsky -
CLINTON HEYLIN with Raymond Foye
-
April Listings
– By George Grella and Brad Cohan
Dance
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Merce's Way
– By Nancy Dalva -
Vertigo Dance Company: One. One & One
– By Jen George -
Somatic Brutality
– By Doug LeCours -
Crystal Pite's hypertextual mindscapes
– By Ivan Talijancic -
Lincoln Kirstein's Multi-Platform Brand, Dissected
– By Susan Yung
Film
-
Rhymes with Bitches: Resurrecting Nelly Kaplan
– By Beatrice Loayza -
Frank Beauvais's Just Don't Think I'll Scream
– By Steve Erickson -
Speaking and Recording and Broadcasting Their Truths
– By Esmé Hogeveen -
The Drift Back: Margaret Tait at 100
– By Jesse Cumming -
BI GAN with Ethan Spigland
-
I Forgot Myself
– By Jessica Dunn Rovinelli
Theater
-
Crossing Barriers, Bridging Cultures
– By Natasha Lardera -
In Pursuit of the Urgently Inexplicable
– By Billy McEntee -
NICKY PARAISO with Kathleen Warnock
Fiction
-
Good Shadow
– by Iris Garcia Cuevas, translated from the Spanish by Diego Gerard -
A Dream of Sand
– by Iris Garcia Cuevas, translated from the Spanish by Diego Gerard -
A Little Love
– by Iris Garcia Cuevas, translated from the Spanish by Diego Gerard -
inSerial: part seven The Mysteries of Paris
– by Eugène Sue, translated from the French by Robert Bononno -
“…”
– By Wayne Conti -
The Sleuthing Proctologist
– By Tom Motley
Poetry
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four
– By Simon Schuchat -
from The History of Modern Sculpture
– By Jean-Paul Pecqueur -
three
– By Louis Bury -
from The Lake
– By Natalie Eilbert -
two
– By Nikki Wallschlaeger
Art Books
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Editor’s Note
– By Megan N. Liberty -
The Art Happens Here: Net Art Anthology
– By Madeline Weisburg -
Roy DeCarava and Langston Hughes's The Sweet Flypaper of Life
– By Dani Issler -
Aldrin Valdez’s ESL or You Weren’t Here
– By Lee Ann Norman -
Penny Slinger's 50% the Visible Woman and Inside Out
– By Megan N. Liberty
ArTonic
-
The Louis Comfort Tiffany Foundation
– By Jessica Holmes
In Memoriam
Field Notes
-
Facing The Heat
– By Peter St. Clair -
BDS and Utopia
– By Oded Nir -
This Street Is Ours. We Are This Street.
– By Georges Rivière
