Table of Contents
Editor's Message
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Reality by Chance
– By Richard Shiff
Publisher's Message
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Dear Friends and Readers,
– By Phong Bui
Art
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AMY SHERALD with Osman Can Yerebakan
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JOHN ZURIER with Erik Lindman
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HENRY TAYLOR with Laura Hoptman
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MARK DION with Yasi Alipour
ArtSeen
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Judy Chicago: Los Angeles
– By Olivia Gauthier -
Nicolás Guagnini: Asociación Psicoanalítica Argentina
– By Israel Lund -
John Giorno: Do The Undone
– By Sophie Kovel -
The Return of Tom Doyle
– By Jessica Holmes -
Sayre Gomez: X-Scapes
– By Patrick J. Reed -
John Giorno: DO THE UNDONE
– By Robert C. Morgan -
Sarah Sze
– By Phong Bui -
What Are Words Worth?
– By Dan Cameron -
Bradford Kessler: Become Gift, Sky Become Shadow
– By Zach Ritter -
Renée Cox: Returned
– By Jan Avgikos -
Graham Nickson: Eye Level
– By Aimée Brown Price -
Alex Da Corte: Marigolds
– By Anna Tome -
Constantina Zavitsanos: L&D Motel
– By Michael Eby -
Aleksandar Duravcevic: YOUTH
– By Alfred Mac Adam -
Meriem Bennani: Party on the CAPS
– By Shehab Awad -
Richard Mosse: Ultra
– By Hannah Maier-Katkin -
Urban Impulses: Latin American Photography From 1959 to 2016
– By Daniel Pateman -
Marcus Jahmal: Double Down
– By Charlie M. Schultz -
Calder: Small Sphere and Heavy Sphere
– By Barbara A. MacAdam -
Hearne Pardee: N/S/E/W: Painting | Drawing | Collage
– By Jonathan Goodman -
Joe Zucker: 100-Foot-Long Piece, 1968-1969
– By Alfred Mac Adam -
Sahar Khoury: Afterhours
– By Sahar Khraibani -
Wangechi Mutu: The NewOnes, will free Us
– By Ann C. Collins -
Cindy Ji Hye Kim: Verses from the Apocalypse
– By Amelia Farley -
Bernard Piffaretti
– By Raphael Rubinstein -
N. Dash
– By William Corwin -
Personal Private Public
– By Jennifer Rose Bonilla-Edgington -
Alain Kirili: Whos Afraid of Verticality?
– By Susan Harris -
Matt Kleberg: Trespassing
– By Gilles Heno-Coe -
Soft Fascination: Heidi Norton, Jolynn Krystosek & Erin LaRocque
– By Hovey Brock -
Sinéad Breslin
– By Louis Block -
Shut Up: Joe Massey’s Messages From Prison
– By Mark Bloch -
Richard Serra
– By Tom McGlynn -
Richard Serra
– By Benjamin Clifford -
Jacolby Satterwhite
– By Amber Jamilla Musser -
Manfred Mohr: A Formal Language
– By Charlotte Kent -
Loló Soldevilla
– By Alfred Mac Adam -
Another World Lies Beyond
– By Hovey Brock -
Loie Hollowell: Plumb Line
– By Elizabeth Buhe -
Wang Yan Cheng
– By Jonathan Goodman -
Nick van Woert
– By Robert R. Shane -
Janiva Ellis
– By Simon Wu -
Forms Larger and Bolder: Eva Hesse Drawings from the Allen Memorial Art Museum at Oberlin College
– By Jessica Holmes -
Elaine Cameron-Weir: strings that show the wind
– By Valentina Di Liscia -
Guadalupe Maravilla
– By Kathleen Hefty -
Wyatt Kahn
– By David Rhodes -
Bambitchell: Bugs and Beasts Before the Law
– By Esmé Hogeveen -
Sarah Sze
– By Jan Avgikos -
Sue Yon Hwang: Material Manifestation
– By Robert C. Morgan -
Doug Fogelson: Anthem
– By Daniel Pateman -
Xandra Ibarra: Forever Sidepiece
– By Madeleine Seidel
1x1
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Into the Mystic
– By Ann McCoy
Critics Page
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Pea Stones
– By Matthew Simms -
Shifting
– By Michael Schreyach -
As Chance Would Have It
– By Thierry de Duve -
The Luck of the Draw
– By Suzanne Hudson -
Comment on Richard Shiff’s argument on chance and reality
– By Dario Gamboni -
Twombly’s Sophistication
– By Ross Posnock -
"The Ruses of Chance"
– By Karen Lang -
Chance and the Punctum
– By David Reed -
Chance encounters are my alibi
– By Marlene Dumas -
Pareidolia and Signifying the Insignificant
– By Jessamine Batario -
"Hasards de la rime"
– By Sima Godfrey -
REWIRING NORA: A Chance Encounter with Something Unknown
– By Jonathan Fineberg -
Rorschachian Chance in Flow and Ebb
– By Joseph Masheck
Books
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Saeed Jones: How We Fight for Our Lives
– By Deena ElGenaidi -
Jokha Alharthi: Celestial Bodies
– By John Domini -
Mark Kingwell: "Wish I Were Here"
– By Zach Davidson -
Sight Lines
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Carmen Maria Machado: In the Dream House
– By James W. Fuerst -
Nell Zink: Doxology and Suzette Haden Elgin: Native Tongue
– By Yvonne C. Garrett
Music
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October Listings
– By George Grella and Brad Cohan -
A Dance in the Aftermath: Peter Laughner, Smog Veil Records, 2019
– By Ron Horning -
WOMAD
– By Martin Longley -
Outtakes
– THOMAS MAURY with Steve Dalachinsky -
Lighter And Heavier
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TIME:SPANS 2019
– By George Grella -
Newport Jazz Festival 2019
– By Vilde Aaslid -
The Shed is Falling Down
– By George Grella
Dance
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One year of Dance in Bushwick
– By Doug LeCours -
CARINA HO with Sima Belmar
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A Dancer's Worth
– By Rennie McDougall -
Mysterious Excavations
– By Nicole Loeffler-Gladstone
Film
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GRAHAM SWON with Gina Telaroli
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NO EVIL EYE
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Locarno 2019: Ample Opportunity for Daydreaming
– By James Lattimer -
Every Situation Calls for Its Own Language: Gilberto Perez′s The Eloquent Screen
– By Nicholas Forster
Theater
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Anna Moench and Objects in the Apocalypse
– By Dave Harris -
LIT Council: Men of Color Called to the Stage
– By Marcina Zaccaria -
In Their Changing Village, Two Artists Reflect on a Lost Hospital
– By Billy McEntee -
Life as a Cabaret
– Walter Corwin with Dan Kelley
Fiction
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Most Dreaded Hell
– by Juan Carlos Onetti, translated from the Spanish by Katherine Silver -
As Sad as She
– by Juan Carlos Onetti, translated from the Spanish by Katherine Silver -
You, Me, Larsen, Petrus, and Dr. Díaz Grey
Poetry
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ab020577
– By Ama Birch -
two
– By Ted Dodson -
stitch
– By Kimberly Alidio -
four
– By Katy Lederer -
INCOGNITO
– By Charles Borkhuis -
Eight from Border Simulator
– By Gabriel Dozal
Art Books
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Nights on Prose Mountain
– By Megan N. Liberty -
The Curious Moaning of Kenfig Burrows
– By Anna Souter -
Suzanne Lacy: We Are Here
– By Jessie Robertson -
Changes: Notes on Choreography and Women's Work
– By Madeline Weisburg
In Memoriam
Field Notes
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Editor’s Note: Let's Have That Recession!
– By Paul Mattick -
Yellow Vests in a New Social Landscape
– By Jacqueline Reuss -
"All These Things Are Connected"
– G.M. TAMÁS with Pavlos Roufos
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