Table of Contents
Editor's Message
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Experiments in Freedom
– By Nico Wheadon
Publisher's Message
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Dear Friends and Readers,
– By Phong Bui
Art
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MELVIN EDWARDS with Choghakate Kazarian
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RACHEL FEINSTEIN with Phong Bui
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DONALD MOFFETT with Dan Cameron
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CAROL SZYMANSKI with David Carrier
ArtSeen
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Howardena Pindell: Autobiography
– By Susan Harris -
Tiona Nekkia McClodden: Hold on, let me take the safety off
– By Madeleine Seidel -
Postwar Women
– By Jonathan Goodman -
Modernisms: Iranian, Turkish, and Indian Highlights from NYUs Abby Grey Collection
– By Vivian Li -
Kim Tschang-Yeul: New York to Paris
– By Robert C. Morgan -
Tetsuya Ishida: Self-Portrait of Other
– By Jared Quinton -
Betye Saar: The Legend of Black Girl’s Window
– By Ann C. Collins -
Alex Sewell: When I Wanted Everything
– By Hovey Brock -
Julia Bland: The Half That Ties, the Half that Breaks
– By Claire Voon -
Rachelle Dang: Uncertain Haven
– By Valentina Di Liscia -
Hope Gangloff
– By Kathleen Hefty -
Agnes Denes: Absolutes & Intermediates
– By Marcia E. Vetrocq -
Helen Frankenthaler and Robert Motherwell: The Art of Marriage
– By Alfred Mac Adam -
Wayne Thiebaud: Mountains 19652019
– By Alfred Mac Adam -
Suzanne Bocanegra: Wardrobe Test
– By Amanda Gluibizzi -
Pat Passlof: The Brush is the Finger of the Brain
– By Eleanor Heartney -
Okayama Art Summit 2019: If the Snake
– By Osman Can Yerebakan -
Sanam Khatibi: An hour before the Devil fell
– By Elizabeth Buhe -
Michael Eade: past is present is future
– By Jonathan Goodman -
Mark Leckey: O’ Magic Power of Bleakness
– By Toby Kamps -
Whose Reality?
– By Mengna Da -
Janine Antoni: I am fertile ground
– By Nolan Kelly -
Caroline Coon: The Great Offender
– By William Davie -
Ron Gorchov: At the Cusp of the 80s, Paintings 1979–1983
– By David Carrier -
Brendan Fernandes: Contract and Release
– By Avram C. Alpert -
Hadi Fallahpisheh: Almost Alone
– By Simon Wu -
Vija Celmins: To Fix the Image in Memory
– By Cynthia Cruz -
Bojana Ginn: Phygital Muse
– By Rebecca Brantley -
Marco Maggi: Initialism (From Obscurantism to Enlightenment)
– By Alfred Mac Adam -
Andrea del Verrocchio: Sculptor and Painter of Renaissance Florence
– By Christian Kleinbub -
Tamar Hirschfeld: Neuland
– By Naomi Lev -
Sandra Brewster: Blur
– By Magdalyn Asimakis -
Antony Gormley
– By Daniel Pateman -
Albert Oehlen: Fn Paintings
– By Tom McGlynn -
Albert Oehlen
– By David Rhodes -
Torkwase Dyson: 1919: Blackwater
– By Nina Wolpow -
Francesca DiMattio: Statues
– By Robert R. Shane -
The Heart is a Lonely Hunter
– By Charlotte Kent -
Terry Fox: Resonance
– By Hannah Maier-Katkin -
David Hartt: The Histories (Le Mancenillier)
– By Alex Jen -
Rajni Perera: Traveller
– By Esmé Hogeveen -
A Letter from Tbilisi
– By Greg Lindquist
1x1
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Nancy Holt: Sun Tunnels
– By Helen Georgas
Critics Page
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Reflections on Free
– By Malik Lewis -
Living Without Gravity
– By Aruna D'Souza -
On Being a Pest
– By Karla Cornejo Villavicencio -
desert creature
– By korde arrington tuttle -
Where Does My Heart Reside?
– By Natasha Becker -
An Archive of Proximity
– By LeRonn P. Brooks -
A Literary Collective of Care
– By Jessica Lynne -
Survival and Dying
– By Reginald Dwayne Betts and Titus Kaphar
Books
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The Collected Poems of Bob Kaufman
– By Tony Leuzzi -
Night Boat to Tangier
– By Weston Cutter -
SHEILA O'CONNOR with Brache James
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Nothing to See Here
– By Deena ElGenaidi -
Chronology
– By Erica N. Cardwell -
CAN'T QUIT YOU, BABY
– AMY LONG with Trysh Travis -
Fiona Alison Duncan’s Exquisite Mariposa
– By Elizabeth Block -
Rachel Rabbit White with Sophia Giovannitti
– By Sophia Giovannitti
Music
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Joshua Abrams & Natural Information Society at Union Pool
– By Dan Joseph -
Music: A Subversive History
– By George Grella -
Music of Harry Partch, Vol. 3: Sonata Dementia, Bridge Records (2019)
– By Jude Thomas -
Artonov, Brussels, Belgium, 7th-13th October 2019
– By Martin Longley -
BRYAN A. CRUMPLER with Jean Huets
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Goldberg Variations
– By Scott Gutterman -
Highly Selective Listings
– By George Grella and Brad Cohan
Dance
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JOANNA FUTRAL with Doug LeCours
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DIMITRIS PAPAIOANNOU with Ivan Talijancic
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A Study of Form and Individuality
– By Jen C. George -
Crossing the Line: Germaine Acogny's Somewhere at the Beginning
– By Rennie McDougall -
Crossing the Line: Jérôme Bel's Isadora Duncan
– By George Kan -
Crossing the Line: Stefanie Batten Bland's Look Who's Coming to Dinner
– By Gillian Jakab
Film
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The Eyes of Another: “Tokyo Stories” at the Japan Society
– By Jaime Grijalba -
KAZIK RADWANSKI AND DERAGH CAMPBELL with Tyler Wilson
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Replete and Incomplete Portraits: Documentaries at TIFF 2019
– By Esmé Hogeveen -
Notes on Berwick: “Why this passion for pictures, why this passion for darkness?”
– By Marius Hrdy -
Please Glauber Dont Hurt Em: Glauber Rochas On Cinema
– By Steve Macfarlane
Theater
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Mediterranean Migration Monologues
– Director Michael Ruf with Maresi Starzmann and Farhiya Hassan -
Édouard Louis Comes to Brooklyn: The History of Violence and The End of Eddy
– By Emma Grillo -
Fear Becomes Exhilaration: BrandoCapote
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The Regime is Female
– By Alexis Spiegel -
The Final Frontier of Liza Birkenmeier
– By Trish Harnetiaux
Fiction
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Shaggy Dog
– By Eugene Lim -
An excerpt from SPEECH
– By Jill Magi -
The Road to Golgonooza
– By T. Motley, Medea Starkers, and Motte & Bailey -
inSerial: part twelve The Mysteries of Paris
– By Eugène Sue and Robert Bononno -
Golthar, Terror of the Deep
– By Nathan Place
Poetry
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Peace
– By Tom Savage -
For Steve Dalachinsky
– By Ted Reichman -
from Mostly Clearing
– By Michael Gottlieb -
Five Poems from Pavilion
– By Gabriel Palacios -
two
– By Elena Alexander -
three
– By David Mills -
seven
– By jen fisher -
three
– By Carley Moore
Art Books
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Conversations About Sculpture
– By Phillip Griffith -
We are in Open Circuits: Writings by Nam June Paik
– By Isabella Boorman -
Alive Still: Nell Blaine, American Painter
– By Karen Chernick -
Steven Leiber Catalogs
– By Megan N. Liberty
Field Notes
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Squat Calabria
– By Bill Weinberg -
The Central American Death Cult
– By Eric Vázquez -
Class Act: Warren's Triangulation
– By Adam Theron-Lee Rensch -
Socialism, Capitalism, and Democracy
– By Steve Fraser
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