MAR 2020

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Editor's Message

Portage Trails and Language, Walking and Communication
– By Jessamine Batario

Publisher's Message

Dear Friends and Readers,
– By Phong Bui

Art

ArtSeen

Ja’Tovia Gary: flesh that needs to be loved
– By Taylor Bradley
The Moon Seemed Lost
– By Ksenia Soboleva
Tom McGlynn: At Present
– By Colin Edgington
Joanna Pousette-Dart
– By Amanda Gluibizzi
Jack Whitten: Transitional Space, A Drawing Survey
– By Hearne Pardee
Philip Pearlstein: Nudes and Other Landscapes
– By William Corwin
Silke Otto-Knapp: In the waiting room
– By Robert R. Shane
Jonah Bokaer: About An Arabesque
– By William Corwin
Shaun Leonardo: The Breath of Empty Space
– By Louis Block
Ellen Lesperance: Velvet Fist
– By Elizabeth Buhe
Krzysztof Woidczko: A House Divided
– By Dan Cameron
Sahel: Art and Empires on the Shores of the Sahara
– By David Carrier
School Photos and their Afterlives
– By Mary K. Coffey
LaToya Ruby Frazier
– By Alex Jen
Marino Marini: Arcadian Nudes
– By Brandt Junceau
Stephen Kaltenbach: The Beginning and the End
– By Hannah Maier-Katkin
Celebrating 25 Years of Project 59: Irina Danilova
– By Peter Malone
Michele Zalopany: Nānā i Ke Kumu ‘Pay Attention To The Source’
– By Ann McCoy
Gothic Spirit: Medieval Art from Europe
– By Susan Yung
Alfred Jarry: The Carnival of Being
– By Josephine Zarkovich
David Flaugher: Weekends and Holidays
– By Peter Brock
Larry Bell: Still Standing
– By Amanda Gluibizzi
Rachel Klinghoffer: Suspended in My Masquerade
– By Hovey Brock
Bob Witz: Milk Made
– By Robert C. Morgan
Purvis Young and Édouard Vuillard: Prophets and Angels
– By Louis Block
Alberto Giacometti, Herbert Matter, Matthew Monahan, Jonathan Silver
– By Jonathan Goodman
Harold Mendez: The years now
– By Robert R. Shane
Radical Figures: Painting in the New Millennium
– By Fraser Brough

Critics Page

A circle made by walking
– By AB Brown
Walking as Praxis
– By Julie Poitras Santos
Desire in Walking and Language
– By Jenna Crowder
How to Draw a Dog
– By Katie Anania
Sewing Spaces / Needlework in Meek's Cutoff
– By Taylor Bradley
Utopics in our time, or, How to walk in Di$neyland
– By Ariel Evans
24 February 2015
– By Arisa White
Two Poems
– By Joshua Gottlieb-Miller
No Boots Required
– By Kathryn Barush
Walking: Foot as Conduit
– By Brooke Williams
Sargon's Invasion
– By Breton Langendorfer

Fiction

Collecting the Body
– By Max Parker
Black’s Gaslight Village
– By Suzanne McConnell
The Road to Golgonooza
– By T. Motley and Suko Bruchardeiwitsch
inSerial: part fifteen The Mysteries of Paris
– By Eugène Sue, translated from French by Robert Bononno
DAVID MEANS with Alec Niedenthal

Poetry

Goodnight, Rimbaud
– By Kay Gabriel
5 poems from Prevailing Conditions
– By MC Hyland
four
– By Kit Robinson
5 poems from Summer
– By Johannes Göransson
the 21st century
– By Connie Mae Oliver
two
– By Susan Briante

Art Books

Nancy Princenthal’s Unspeakable Acts: Women, Art, and Sexual Violence in the 1970s
– By Elene Pasuri
Robin Richardson’s Try Not to Get Too Attached
– By Megan N. Liberty
dispersed holdings’s Speed of Resin
– By Re'al Christian
Kathy Acker (1971–1975)
– By Kathleen Langjahr

ArTonic

Printed Matter
– By Megan N. Liberty

In Memoriam

A Tribute to Beverly Pepper
– By Barbara Rose

Field Notes

Come Hell or High Water
– By Peter St. Clair
Tar Sands and Genocide
– By Darryl Whetter
Once More to the Breach
– By John W. W. Zeiser
ADAM RENSCH with John Collins

The Brooklyn Rail

Critical Perspectives on Art, Politics and Culture

Table of Contents

Editor's Message

Publisher's Message

Art

ArtSeen

Critics Page

Books

Music

Dance

Film

Theater

Fiction

Poetry

Art Books

ArTonic

In Memoriam

Field Notes

MAR 2020