Art In Conversation
Ghada Amer with Amanda Gluibizzi
Amanda Gluibizzi talks with Ghada Amer about her new body of work on view at Marianne Boesky Gallery.
Art In Conversation
Tacita Dean with Jonathan T.D. Neil
Jonathan T.D. Neil speaks with Tacita Dean about her new projects, Los Angeles as Purgatory, the future of film, and her favorite Leo Steinberg essay.
Art In Conversation
Tomashi Jackson with Maddie Klett
Maddie Klett speaks with Tomashi Jackson about her love of printmaking, her collaborative methodology as a social historian, and how cares her artwork into existence.
Art In Conversation
Jorge Pardo with William Corwin
William Corwin speaks with Jorge Pardo about his new paintings, pin-hole cameras, and what goes into the production of an alter.
Una Stanza Per Panza
by Donald JuddThirty-one years after the publication of Una Stanza Per Panza, Judds efforts remain rare examples of the preservation of an artists vision. Still more rare are foundations established by artists which exhibit work by anyone other than their founder. There are considerably more museums founded by collectors, or which serve them. The reasons for this are as clear now as they were in 1990, and the threats to the integrity of art remain considerable.
From the Publisher & Artistic Director
Dear Friends and Readers,
By Phong BuiHow will we be endowed with fearlessness, the courage that is required to create or make something, which can achieve some form or shape that speaks to who we are as unique and autonomous beings, while generously generating universal and shared values from our creations to our fellow human beings?
Editor's Message
Performa 2021
By RoseLee GoldbergSince the first Performa Biennial in 2005 New York City has always been the star of the show. We dedicated all our efforts to commissioning and supporting artists to create startling new work for the new century, and to collaborating with curators in cultural venues up, down, and across Manhattan, and boroughs beyond, with the firm intention of putting a spotlight on the city as the performance capital of the world.
Critics Page
-
Live from New York
– By Charles Aubin -
The Real World
– By Kathy Noble -
Amazon (Proxy)
– By Danielle Dean -
Stalk
– By Ericka Beckman -
The Stage
– By Tschabalala Self -
notes towards becoming a spill
– By Shikeith -
Review
– By Madeline Hollander -
Down at the Arcade
– By Sara Cwynar -
Being Silica
– By Andrés Jaque -
The Sound of Morning
– By Kathy Noble
ArtSeen
-
Kon Trubkovich: The Antepenultimate End
– By David Carrier -
Tamara Gonzales: Horrible Beauty
– By Amanda Millet-Sorsa -
Louise Lawler: LIGHTS OFF, AFTER HOURS, IN THE DARK
– By Hannah Sage Kay -
Leonardo Drew
– By Jillian Russo -
Kon Trubkovich: The Antepenultimate End
– By Nicholas Heskes -
Nicky Nodjoumi: We the Witnesses
– By Andrew Paul Woolbright -
O-I-L Paint
– By Bill Jensen
(for Albert Ryder) -
A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art
– By Peter Acheson -
A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art
– By Amanda Millet-Sorsa -
Jennie C. Jones: New Compositions
– By Ann C. Collins -
Hemali Bhuta: and the epic did not happen!
– By Barbara A. MacAdam -
Stacy Lynn Waddell: Mettle
– By Darla Migan -
Emilie Stark-Menneg: Strawberry Moon
– By Alfred Mac Adam -
Nicole Storm
– By Bryan Martin -
Ron Gorchov: Spice of Life
– By Tom McGlynn -
Convergent Evolutions: The Conscious Body of Work
– By Charlotte Kent -
Katelyn Eichwald: Never
– By Elizabeth Buhe -
Alex Callender: All Her Loves and All Her Disappointments
– By Marcus Civin -
Joanna Borkowska & Sandi Slone: Material/Immaterial
– By Robert C. Morgan -
Matvey Levenstein
– By Andrew L. Shea -
Philip Guston: 1969–1979
– By David Rhodes -
Lois Dodd
– By Hearne Pardee -
John Currin: Memorial
– By Alfred Mac Adam -
Alison Elizabeth Taylor: Future Promise
– By Susan Harris -
Daniel Johnston: I Live My Broken Dreams
– By Barbara Purcell -
Thomas Nozkowski: The Last Paintings
– By Tom McGlynn -
Liz Ahn: unobservable scavenger
– By Pamela Sneed -
Wallace Berman: Off the Grid
– By Ann McCoy -
Julian Schnabel: Self-Portraits of Others
– By David Ebony -
Bernar Venet: 1961 & 1963: les origins
– By Joseph Nechvatal -
Martha Tuttle: Wild irises grow in the mountains
– By Louis Block -
Elizabeth Murray: Back in Town
– By Douglas Dreishpoon -
McArthur Binion: Modern:
– By Amanda Millet-SorsaAncient: Brown -
Kamala Sankaram: The Last Stand
– By Julie Reiss -
Wardell Milan: Amerika. God Bless You If It’s Good To You
– By Cat Dawson -
BRUCE CONNER & JAY DEFEO:
– By Jessica Holmes
(“we are not what we seem”) -
Lisa Yuskavage: New Paintings
– By Jason Rosenfeld -
Raquel Rabinovich: Portals
– By Jonathan Goodman
Table of Contents
Publisher's Message
-
Dear Friends and Readers,
– By Phong Bui
Editor's Message
-
Performa 2021
– By RoseLee Goldberg
Art
-
Ghada Amer with Amanda Gluibizzi
-
Tacita Dean with Jonathan T.D. Neil
-
Tomashi Jackson with Maddie Klett
-
Jorge Pardo with William Corwin
-
Una Stanza Per Panza
– by Donald Judd -
Pure Meshuggah: Anti-Semitism Invades Art History
– By Francis M. Naumann
ArtSeen
-
Kon Trubkovich: The Antepenultimate End
– By David Carrier -
Tamara Gonzales: Horrible Beauty
– By Amanda Millet-Sorsa -
Louise Lawler: LIGHTS OFF, AFTER HOURS, IN THE DARK
– By Hannah Sage Kay -
Leonardo Drew
– By Jillian Russo -
Kon Trubkovich: The Antepenultimate End
– By Nicholas Heskes -
Nicky Nodjoumi: We the Witnesses
– By Andrew Paul Woolbright -
O-I-L Paint (for Albert Ryder)
– By Bill Jensen -
A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art
– By Peter Acheson -
A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art
– By Amanda Millet-Sorsa -
Jennie C. Jones: New Compositions
– By Ann C. Collins -
Hemali Bhuta: and the epic did not happen!
– By Barbara A. MacAdam -
Stacy Lynn Waddell: Mettle
– By Darla Migan -
Emilie Stark-Menneg: Strawberry Moon
– By Alfred Mac Adam -
Nicole Storm
– By Bryan Martin -
Ron Gorchov: Spice of Life
– By Tom McGlynn -
Convergent Evolutions: The Conscious Body of Work
– By Charlotte Kent -
Katelyn Eichwald: Never
– By Elizabeth Buhe -
Alex Callender: All Her Loves and All Her Disappointments
– By Marcus Civin -
Joanna Borkowska & Sandi Slone: Material/Immaterial
– By Robert C. Morgan -
Matvey Levenstein
– By Andrew L. Shea -
Philip Guston: 1969–1979
– By David Rhodes -
Lois Dodd
– By Hearne Pardee -
John Currin: Memorial
– By Alfred Mac Adam -
Alison Elizabeth Taylor: Future Promise
– By Susan Harris -
Daniel Johnston: I Live My Broken Dreams
– By Barbara Purcell -
Thomas Nozkowski: The Last Paintings
– By Tom McGlynn -
Liz Ahn: unobservable scavenger
– By Pamela Sneed -
Wallace Berman: Off the Grid
– By Ann McCoy -
Julian Schnabel: Self-Portraits of Others
– By David Ebony -
Bernar Venet: 1961 & 1963: les origins
– By Joseph Nechvatal -
Martha Tuttle: Wild irises grow in the mountains
– By Louis Block -
Elizabeth Murray: Back in Town
– By Douglas Dreishpoon -
McArthur Binion: Modern:Ancient:Brown
– By Amanda Millet-Sorsa -
Kamala Sankaram: The Last Stand
– By Julie Reiss -
Wardell Milan: Amerika. God Bless You If It’s Good To You
– By Cat Dawson -
BRUCE CONNER & JAY DEFEO: (“we are not what we seem”)
– By Jessica Holmes -
Lisa Yuskavage: New Paintings
– By Jason Rosenfeld -
Raquel Rabinovich: Portals
– By Jonathan Goodman
Critics Page
-
Live from New York
– By Charles Aubin -
The Real World
– By Kathy Noble -
Amazon (Proxy)
– By Danielle Dean -
Stalk
– By Ericka Beckman -
The Stage
– By Tschabalala Self -
notes towards becoming a spill
– By Shikeith -
Review
– By Madeline Hollander -
Down at the Arcade
– By Sara Cwynar -
Being Silica
– By Andrés Jaque -
The Sound of Morning
– By Kathy Noble
Books
-
Aimee Parkison’s Sister Séance
– By Jacquelyn Marie Gallo -
Deborah Levy’s Real Estate
– By Elizabeth Block -
Khadija Abdalla Bajaber & Jonathan Franzen
– By Yvonne C. Garrett -
Shukri Mabkhout’s The Italian
– By John Domini -
A Womans Worth
– By Carissa Chesanek -
Revolutionary Letters: 50th Anniversary Edition
– By Patrick James Dunagan -
John Banville’s April in Spain
– By Joseph Peschel -
Clare Chamberss Small Pleasures
– By Carissa Chesanek -
Lincoln Michels The Body Scout
– By Rone Shavers -
Martha Cooley with Catherine Parnell
Music
-
Possessed by the Moon
– By Adolf Alzuphar -
Into the Blue
– By Scott Gutterman -
Ostrava Days, Ostrava, Czech Republic, August 20–21, 2021
– By Martin Longley -
“A Totally Integrated Club Scene”: New York, New Music: 1980–1986 at the Museum of the City of New York
– By Matthew Pessar Joseph -
Time, Lost and Regained
– By George Grella
Dance
-
Light and Desire: Illuminating Anger and Transformation
– By Jen C. George -
Taylor Returns—But What Holds the Future?
– By Susan Yung -
How Do We Stage a World?
– By George Kan
Film
-
Emma Dante’s The Macaluso Sisters
– By Laura Valenza -
Angelo Madsen Minax’s North By Current
– By Anna Cahn
Theater
-
Write Me Back: P.S. Offers a Unique Window into Pen Pals’ Isolation
– By Joey Sims -
The Dramaturg’s Perspective: A Conversation with Amauta Firmino
– By Alexi Chacon -
For Your Eyes OnlyFans: Playwright Gage Tarlton on Sex, Confessions, and the Digital Age
– By Kyle Turner
Fiction
-
Miss Weinburger
– By Alec Niedenthal -
Coda: Waiting by the Shore
– By Kate McIntyre
Poetry
-
two
– By I.S. Jones -
three
– By Charles Theonia -
The Autobiography of Jean Foos
– By Jessica Grim and Melanie Neilson -
Moon with David
– By Ed Steck -
three
– By Kendra Sullivan -
Late Humans and Other Animals
– By Jason Morris
Art Books
-
Sara Cwynar’s Glass Life
– By Karen Gu -
Kristin Bedford’s Cruise Night
– By Nicole Kaack -
Designing Motherhood: Things That Make and Break Our Births
– By Ksenia Nouril -
Edith Young’s Color Scheme
– By Alana Pockros -
Derek Sullivan’s Evidence of the Avant Garde Ex-Library
– By Megan N. Liberty -
Richard Tuttle’s The Role of the Story Teller
– By Louis Block
ArTonic
-
The Foundation for Contemporary Arts
– By Charlotte Kent
Field Notes
-
Occupied
– By Paul Mattick -
Buying Time: Evictions and Tenant Organizing at the Pandemic Slow End
– By Nathan Eisenberg and Daniel Tutt -
The Present and Future of Engineers
– By Nick Chavez
The Miraculous
-
71. (The Studio Museum in Harlem)
– By Raphael Rubinstein -
72. (Various walls around the city)
– By Raphael Rubinstein -
73. (Various museums and galleries)
– By Raphael Rubinstein -
74. (402, 404 & 414 East 14th Street)
– By Raphael Rubinstein -
75. (Pier 18, Hudson River)
– By Raphael Rubinstein