Art
In Conversation
Ghada Amer with Amanda Gluibizzi
Amanda Gluibizzi talks with Ghada Amer about her new body of work on view at Marianne Boesky Gallery.
In Conversation
Tacita Dean with Jonathan T.D. Neil
Jonathan T.D. Neil speaks with Tacita Dean about her new projects, Los Angeles as Purgatory, the future of film, and her favorite Leo Steinberg essay.
In Conversation
Tomashi Jackson with Maddie Klett
Maddie Klett speaks with Tomashi Jackson about her love of printmaking, her collaborative methodology as a social historian, and how cares her artwork into existence.
In Conversation
Jorge Pardo with William Corwin
William Corwin speaks with Jorge Pardo about his new paintings, pin-hole cameras, and what goes into the production of an alter.
Una Stanza Per Panza
by Donald JuddThirty-one years after the publication of “Una Stanza Per Panza,” Judd’s efforts remain rare examples of the preservation of an artist’s vision. Still more rare are foundations established by artists which exhibit work by anyone other than their founder. There are considerably more museums founded by collectors, or which serve them. The reasons for this are as clear now as they were in 1990, and the threats to the integrity of art remain considerable.
Railing Opinion
Pure Meshuggah: Anti-Semitism Invades Art History
By Francis M. NaumannIn my four decades working in New York as an art historian, teacher and art dealer, I never imagined that racist politics and white supremacist viewpoints could contaminate my profession.
