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A Moveable Feast: International Film Festival Rotterdam 2021

By Marius Hrdy

Unlike other festivals opting to toss films into a pool of sameness and replete of curatorial context, International Film Festival Rotterdam’s curated precision was kept intact, preserving the festival’s distinct relevance as a harbor for innovative moving image work.

Tim Leyendekker’s <em>Feast</em> (2021). Courtesy of the filmmaker.

The Immeasurable Unseen: All Light, Everywhere

By Tyler Wilson

Theo Anthony's absorbing sophomore feature shines a light on the symbiotic relationship between camera technologies and social control, effectively scrutinizing our ideological conceptions of the visible and the invisible, observer and observed.

Theo Anthony’s <em>All Light, Everywhere</em> (2021). Courtesy of MEMORY.

Rubbing Elbows: The Criterion Collection’s “World of Wong Kar Wai”

By Anthony Hawley

The Criterion Collection's new box set assembles seven of the director's pivotal and recently restored works, occasioning a (re)encounter with the Hong Kong master’s cinema of longing and fragmentation.

Wong Kar Wai’s <em>Fallen Angels</em> (1995). Courtesy of the Criterion Collection.
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The Brooklyn Rail

MARCH 2021

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