The Brooklyn Rail

JUL-AUG 2022

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JUL-AUG 2022 Issue
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Nancy Hom

Mandala

The story of my life is a journey of transformation. The mandala has as its center the lotus. From that center my life radiates, with transformation happening on several levels:  my migration from my birthplace in China to New York City, then to San Francisco. Another transformation is the cultural shift from a traditional Chinese upbringing, to the political struggles of the ‘70s, to the multicultural arts community I am part of today. And there is my transformation from a reticent child to a person who is continually challenging herself, both artistically and personally.

Besides the depictions of my creations and influences, there are three significant metaphors in this piece. The lotus grows in muddy water; then rises out of the muck to become a beautiful flower. It is a symbol of immense resilience and fortitude. The butterfly, which emerges from a cocoon, represents for me the shedding of my old restrictive outlook, whether self-imposed or by my parents, and emerging as a colorful, vibrant person who meets the world on her own terms. Prayer flags, which carry the blessings of love and compassion, symbolize my extension into the community as an artist who aspires to bring light and healing into the world.

(Mandala was created for Our American Stories by AA Artists; Illuminating History, Culture, and Identity exhibition at City College of San Francisco, curated by Judy Shintani. Photo by Bob Hsiang. Image first published in Sunset Magazine, 2015)

Contributor

Nancy Hom

Nancy Hom is a San Francisco-based artist, writer, curator, and arts consultant. Born in Toisan, China and raised in New York City, she has been a leader in the SF Bay Area art scene since 1974. Through her posters, illustrations, installations, mandalas, poetry, and curatorial work, Nancy has used the arts to affirm the histories, struggles, and contributions of communities of color. Since 2012, she has created mandalas on various topics, using the art medium as a tool for community celebration, healing and reflection. In her long involvement with Kearny Street Workshop, an Asian American arts organization, she served as its executive director from 1995 to 2003. She has also nurtured the creative and organizational growth of over a dozen Bay Area arts organizations.

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The Brooklyn Rail

JUL-AUG 2022

All Issues