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Alone, Yet Inseparable

Engrossing, mysterious characters inhabit Beth Gill’s Nail Biter

We Are in Catastrophe

Faye Driscoll’s Weathering begins with voices. Singing, “teeth, skin, mouth,” the performers develop a harmony around the repetition of the word “skin.”

The Forced Abundance of Justin Peck

New York City Ballet’s over-reliance on Justin Peck to produce highlights the tensions between twenty-first-century demands of a ballet company and ghosts of choreographers past.

The Depths to Which She is Capable

The Martha Graham Dance Company’s latest program shows the enduring strength of her legacy and the challenges for the company’s future.


The Brooklyn Rail

MAY 2023

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